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Everything about Eligiusz Niewiadomski totally explained

Eligiusz Niewiadomski (Warsaw, December 1, 1869January 31, 1923, Warsaw) was a Polish modernist painter and art critic who belonged to the right-wing National Democracy till 1904 and later supported it. He is infamous for his 1922 assassination of Poland's first President, Gabriel Narutowicz.

Life

Niewiadomski was born into a family of distant gentry descent. His father, Wincenty Niewiadomski, of Prus coat-of-arms, was a veteran of the January Uprising and a worker at the Warsaw mint. At the age of two, Eligiusz lost his mother Julia, and was raised by his elder sister Cecylia. After graduating from a local trade school in 1888, Niewiadomski moved to St. Petersburg, where he continued his studies at the Imperial Academy of Arts. He graduated in 1894, with honors, and won a scholarship to École Supérieure des Beaux-arts in Paris. After his return to Warsaw he became a student of Wojciech Gerson, one of the best known Polish artists of the epoch.
   After 1897, he taught drawing at the Warsaw University of Technology. He also collaborated with a number of Warsaw-based magazines and newspapers as a journalist and art critic, which gave him considerable notoriety, mostly among the artists themselves. He became involved in various artistic movements, among them the "re-discovery" of the Tatra Mountains, which at the time attracted some of the most renown Polish painters, poets and writers as a source of inspiration. During that time Niewiadomski prepared and published a map of the Tatras, one of the first tourist maps of the area. He also prepared a set of historical maps of Poland Album of the History of Poland (1899). He also became involved in the reorganisation of the Zachęta art society. Using the contacts acquired there, he promoted the idea of creation of a separate Academy of Fine Arts in Warsaw. However, when the school was finally opened in 1903, Niewiadomski wasn't invited to teach there.
   Politically, Niewiadomski was a strong supporter of nationalism, particularly the National League. In 1901, he was arrested by the tsarist police for smuggling in nationalist propaganda booklets from Galicia to the Vistulan Country. Although he was released after several months in the Pawiak prison, he lost his job at the University of Technology and fell into an impoverished state. This further radicalized his political beliefs. During the Russo-Japanese War he promoted the idea of perpetrating anti-Russian sabotage, for which he was excluded from the National League.
   In order to make his living, Niewiadomski started to teach art classes at numerous schools and churches in Poland. He also prepared the frescos in St. Bartholomew's church in Konin. However, his two volume monograph, On Mediaeval Art, sold poorly and Niewiadomski was on the verge of being forgotten by his contemporaries.
   After the outbreak of World War I he remained in Warsaw, where he started publishing a number of brochures and manifestos, describing his views on the role of art. He also continued to teach art history and artistic technique at various schools. On March 1, 1918, he was appointed the director of painting and sculpture at the Ministry of Culture of the Regency Council, a post that was previously offered to numerous artists who refused.
   After Poland regained its independence, Niewiadomski joined the Ministry of Culture of the newly-reborn country. During the Polish-Bolshevik War, in 1920 he tried to join the Polish Army, but was refused due to old age. However, he was accepted by the Polish intelligence and served as a translator of Russian documents. During the last months of the war he finally managed to convince his superiors to move him to front line service and he fought in the 5th Legions Infantry Regiment.
   Demobilised in 1921, Niewiadomski returned to the Ministry and continued his work there as a clerk. However, on November 8 1921, after Antoni Ponikowski's government refused to grant Niewiadomski's department a higher budget, he resigned his post. Niewiadomski then devoted himself to writing and prepared several monographies on the Polish painting of 19th and 20th centuries, as well as on the theory of art. He made his living illustrating various books.

Assassination of Narutowicz


   On December 9 1922, Gabriel Narutowicz was elected by the National Assembly as the first President of Poland. After a heated debate, Narutowicz's candidacy managed to gather 289 votes, including 113 votes of various national minority MPs. The defeated candidate of the National Democratic Party Maurycy Zamoyski gathered 227 votes, yet the National Democrats decided to boycott the President and announced that he was elected by the Reds, Jews and Germans rather than Poles. This started a period of civil unrest in Warsaw, where the supporters of nationalist ideas protested against the election of their president.
   On December 16 1922 the newly-elected President attended an opening of an art exhibition at the Zachęta Art Gallery. Niewiadomski, a frequent guest at such festivities, approached Narutowicz and shot him. Arrested on December 30 he was sentenced to death by firing squad, which was carried out in the Citadel of Warsaw on January 31 1923. He was 53 years old. His body was interred at the Powązki Cemetery in Warsaw.
   After his execution, Niewiadomski remained a largely controversial figure. His funeral was attended by 10,000 people and he was depicted by some right-wing journalists as a national hero and a martyr.

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